We specialise in character-led social and environmental storytelling, and work across the outdoor, adventure and arts sectors to create authentic promotional content for businesses and organisations. Our projects are often delivered as bespoke content packages, combining film, photography, and writing to suit each client’s needs.

As a team, we can guide you through the creative process. It starts with a conversation so we can get to know the requirements of the project, and each other!

A film project can be split into four critical parts - idea generation, idea development, production (filming), and post production (editing).

Just a little time to chat and a simple brief.

In our early conversations, we’ll work with you to clarify what you’d like to achieve and the story you want to tell. We’ll also go over budget and costs, so everything is clear from the start.

This very much depends on the scope of the project and what we decide to include within it. Small projects can be turned around in 1-2 months, but we often have projects ongoing for up to a year or more.

Once we’ve gone through the final round of feedback, we’ll send the finished files straight to you via WeTransfer. From there, you’re free to upload and share the film on any channels you like. We don’t host client videos on our own channels or portfolio, as we believe it’s best for you to have full control over your content and where it's hosted once it's finished.

It’s a really common question, and totally understandable to ask: if a client asks us to film something, doesn’t everything we capture automatically belong to them?

Under UK copyright law, the RAW files are actually the intellectual property of the person who captured them (that's the person holding the camera), unless ownership has been contractually signed over under a “work for hire” agreement. Because of this, it’s important for everyone involved to be clear on ownership and why it matters.

Firstly, RAW files aren’t a true reflection of our finished work. They’re unedited, unfinished materials that require a high level of professional refinement, and they include many shots that would never make it into the final film. Our reputation is built on delivering polished, high-quality films, and handing over RAW files means we lose control over how our work may be handled or represented in the future.

Secondly, RAW files can have value well beyond the original project — sometimes even years down the line. For that reason, copyright law exists to ensure that this value is managed by the people who created the material in the first place.

We know this can be a tricky concept, so we often explain it using a simple restaurant analogy:

When you pay for a meal at a restaurant, the chef creates a finished dish for you using raw ingredients from the kitchen. That dish reflects their skill, experience, and creative choices. What you’re paying for is the finished meal — not access to the kitchen or the raw ingredients to make or sell another dish later. In the same way, our clients are commissioning a finished film that showcases our creative expertise, rather than the unprocessed materials behind it. In some cases, we’re hired to capture and deliver RAW files only, without providing editing services. When this happens, we’re happy to pass the RAW materials on to the client for use as they see fit, with an agreed fee that reflects the ongoing value of the material, and a clear understanding of how it may be used in future.